Fave or Fail? (10-14 Feb 2020)

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Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Vanessa and Pierce came face to face with horrifying consequences and Pete’s final episode aired as Anthony Quinlan left the show.

Faves

Vanessa’s Nightmare

vlcsnap-2020-02-15-19h58m21s418Pierce is unravelling and fast, as his delusional plan to reunite with Rhona was interrupted by coming face to face with Vanessa. Surely you realised it would happen sooner or later Pierce?! Desperate Pierce went to an extreme length to keep Vanessa out of the way and tied her up and gagged her, even going as far as keeping poor Johnny upstairs and away from his mum. As Vanessa feared for her life, the scenes between the two were tense and gripping, and their on screen history makes it all the more chilling. While Pierce’s panto villain plotting at Home Farm was fun we saw the brutal lengths he is really capable with Vanessa and it gave Jonathan Wrather a great opportunity to show Pierce unhinged and deranged. A brilliant and exciting watch as well as being uncomfortably grim viewing for poor Vanessa. Looking forward to seeing the thrilling climax of this story play out!

Perfect Performance

vlcsnap-2020-02-15-20h20m23s846If I was picking a stand out character of the week then it would have to be Vanessa, who had a truly awful week but was so watchable thanks to flawless performances from Michelle Hardwick. I’ve long bemoaned the fact Vanessa is one of the show’s most underrated characters who often gets overlooked when it comes to stories of her own – but could this be about to change? This week tensions were still high between her and Charity after her lies about Graham’s money. But as Vanessa struggled with the weight of this secret, she was tearful and strained in some quiet and subtle scenes. Eagle eyed viewers might have noticed Vanessa even take a mystery trip to the hospital suggesting her mind might be on more than just Charity’s wrong moves. As Vanessa’s week went from bad to worse Pierce appeared and Vanessa was plunged into a horrifying hostage situation. Fear is something difficult to put across on screen especially in such a heightened soapy situation but Michelle played it brilliantly and the adrenaline filled fight with Pierce was one of the show’s most desperate and real looking confrontations in a while. Can’t wait to see where this story goes.

Forbidden Feelings

vlcsnap-2020-02-15-20h16m53s990Belle and Jamie got closer this week and shared their first onscreen kiss as Jamie moped about the situation with Andrea and Belle offered him support. These two continue to have a nice chemistry and a believable attraction (far more than their respective relationships). This week though there was another obstacle thrown at them when Kim saw their kiss and warned Belle off. Belle stood her ground in a great scene with Kim but continued to be conflicted about what to do about Jamie. These two have great potential if they keep it slow burn and obstacles are a good thing, otherwise if the only thing keeping them apart is upsetting Ellis – it’s a bit of a weak reason. The higher the stakes the more we’ll root for them.

The Rebound Guy

vlcsnap-2020-02-15-20h14m19s791Liam and Leyla decided to make a go of things this week, after growing even closer as they planned David and Theo’s gathering. Despite their flirtations, one person who wasn’t a fan was Liam’s daughter Leanna who warned him not to be the rebound guy lurching from woman to woman. She has a point! This was an amusing scene as Leanna gave Liam a dressing down about his disastrous relationships and suggested he be alone for a while. Liam is a naturally funny character who has fun interactions with almost everyone and although I’m not as fond of his dynamic with Leyla as I was with Bernice, they’re a fun couple. Now they’ve decided to make a secret go of things I’m hoping they find their own unique direction rather than the same heightened comedy set ups that Liam shared with Bernice otherwise they might just feel like a poor imitation than loveable in their own way.

Coming Back Fighting

vlcsnap-2020-02-15-20h18m28s026Moira was back in the village this week and she returned with a strong attitude, determined to make a fresh start. The first scene we saw her was the powerful woman we know and love, gun toting and giving the rustlers what for. Although Matty wasn’t keen to brush things under the carpet, Moira wanted to reunite with the kids and keep things civil with Cain. It’s hard to know where the future lies for Moira and her relationship with Cain. The week ended with her signing the divorce papers but when the two of them hint towards their lingering feelings it’s hard not to feel the pull of Jeff Hordley and Natalie J Robb’s chemistry. On the other hand, Moira’s fallen into a bit of a rut after the Nate debacle so a new direction would be welcome. Maybe it’s time we had a new farming family and Moira found a new role in the village?

Fail

Wendy Woes

vlcsnap-2020-02-15-20h15m16s374For a show like Emmerdale, which has a fantastic track record of well told, sensitively handled stories that cover important topics, it beggars belief how far they are going out of their way to try and get the audience to sympathise with Wendy. Wendy isn’t a rapist, but her treatment of Victoria just months after her horrific attack was harassment. She intimidated, gaslighted and stalked Victoria to the point she felt she had to move away. Even when Lee died, Wendy forced Victoria to relive her trauma again and again by moving in a few doors down. This behaviour is inexcusable and unforgivable and yet rather than tell an empowering story of Vic finding her life again, almost all of her recent screentime has been putting words in her mouth that excuse Wendy’s behaviour. Rape survivors shouldn’t have to forgive their rapist or their cruel family. It doesn’t make them a bad person. And yet Emmerdale continue to paint a harmful image of the “good victim” who is forgiving and empathetic. The narrative is: Vic has forgiven Wendy because she’s a “good person”. What about survivors who can’t and won’t? Wendy says she saw Vic was a “good” person so could see she wasn’t lying – but this choice of dialogue is harmful for survivors who carry a stigma and an image of being promiscuous or aren’t your typical “good person”. Telling a story about a mother who learns the awful truth about her son’s behaviour could have been a great story and I have to believe Emmerdale had those good intentions but the reality has been a horrible watch. If Wendy and the Posners were brought in as a new family and we got to know them and it was only later we learnt Lee was a rapist, we’d be on the same journey with Wendy and empathise ourselves. As it stands it seems like Emmerdale have bent over backwards to absolve Wendy and deny Vic an empowering journey in order to force this story. It’s stomach churning to watch Wendy portrayed as a victim, sobbing over her son and his innocent childhood when we saw the horrifying rape Victoria faced and the way the Posners bullied her afterwards. Whether it’s realistic for the mother of a rapist or not, the narrative has been ill conceived at every turn, stealing Vic’s agency and forcing a concept that the Posner family deserve a second chance because they are Harry’s biological family. Why? It doesn’t work. It’s disheartening to see this unwatchable, harmful writing continually tarnishing the show’s excellent reputation for crucial stories.

Scene of the Week (10-14 Feb 2020)

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This heart-stopping moment is the second Vanessa came face to face with her worst nightmare and my Scene of the Week. It was only a matter of time before lurking Pierce bumped into someone he recognised – it’s a small village after all! But with him believing he was close to reuniting to Rhona, the last person he wanted to come across was Rhona’s BFF Vanessa. The moment when these two enemies locked eyes was a brilliantly gripping moment, made even better including Johnny because the stakes suddenly got a lot higher.

Fave or Fail? (3-7 Feb 2020)

faveorfail

Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! As Marlon’s hell continued, April ran away from home and a tragedy prompted Arthur’s shocking confession.

Faves

Pierce Gets Smarter and Scarier

vlcsnap-2020-02-08-12h27m49s551Pierce stepped up his plan of action this week and after overhearing Rhona’s distrust and dislike of Kim, he decided to embed himself into life at Home Farm with a crafty plan. The beauty of Pierce’s return is that he’s both smart and chilling, meaning you can forgive the slightly more outlandish “He’s behind you!” moments. This week Pierce was back lurking around Smithy Cottage, even going as far as talking to and touching Rhona while she was sleeping. Creepy as hell! But it would have got old and unbelievable quickly if that was all Pierce was up to, but luckily he had more up his sleeve than that. With the help of a cunning plan to make Kim believe she’d run him over and smashed his phone, Pierce got an invite inside Home Farm and there his manipulations continued. Sure, it’s a bit of a stretch to believe Kim would so readily trust a stranger to help with her son’s custody battle, but Pierce is convincing and charming enough for us to suspend disbelief and it’s fun for us to be privy to his real identity while the rest of the village is oblivious. The Graham murder aftermath continues to be great viewing.

Arthur’s Shock Confession

vlcsnap-2020-02-08-12h26m18s341The Thomas family had some very sad news this week as Laurel revealed that Sandy had died. These scenes not only provided some emotional performances from the brilliant actors within the Thomas family but it also sent Arthur into a spiral of guilt. Blaming himself for his grandfather’s death, Arthur ran away to the graveyard to talk to his dad and apologise. Arthur was at breaking point when Jimmy tried to comfort him and he eventually confessed all to mum Laurel, revealing that he had been the one to hurt Archie. These scenes were excellently performed by the consistently great Alfie Clarke and also Charlotte Bellamy who showed Laurel’s conflict between anger and guilt herself for not noticing Arthur struggling. I’m glad the Arthur/Archie plot didn’t drag on too long (though Arthur’s confession does feel a little isolated when we haven’t seen Archie for weeks) and it felt true to Arthur’s character to have him confess. I also enjoyed the extra strain this put on Laurel and Jai’s relationship there’s interesting potential there going forward if she eventually tells him the truth. Considering Ashley’s history of violence, I hope Arthur’s actions and his struggles won’t be brushed under the carpet because I think this is a worthy story to be told.

April’s Agony

vlcsnap-2020-02-08-12h25m28s848Another young actor took centre stage this week as Amelia Flanagan as April reminded us what a top performer she is. With Marlon still suffering in prison, April learnt she’d been lied to and could in fact visit him. Feeling betrayed, April ran away from home and soon the whole village went on the hunt for her. Meanwhile Marlon was inconsolable when he heard the news of her absence, making his imprisonment even harder to bear. Eventually April was found and it was decided she could go and visit. As the family tried to be strong, with their Free Marlon campaign, the situation isn’t looking any more positive and poor April likely won’t feel any better once she’s seen Marlon there herself. This storyline has provided some great performances and it’s been enjoyable to see Mandy, Billy and Bob in particular taking a supportive role in April’s life.

Pete’s Lowkey Exit

vlcsnap-2020-02-08-12h22m13s232This week’s episodes saw the start of Pete’s low key exit plot as he decided to make a new start away from Emmerdale. After working at Wylie’s Farm for a while, Pete was overcome with bad memories – this was, after all, the site of his father’s imprisonment at the hands of Emma. Pete felt a bit of a spare part this week as Tracy moved on with Nate under his nose and realised that there’s very little keeping him around anymore. Pete’s been in Emmerdale since 2013 so on one hand it feels a bit of a disservice to have such a muted exit, though on reflection, Pete’s been a less central character lately and it’s an exit true to the Pete’s history and with almost all his family gone, options are limited to give him a big send off. The scenes this week where he considered his future and reminisced about better, and also darker days, were well done and for a “taxi” exit, isn’t as rushed as they usually are.

Fails

Suddenly Smitten

vlcsnap-2020-02-08-12h25m53s771For some inexplicable reason Tracy found herself smitten with Nate this week and this latest romance is something I’m really hoping was just a device to get Pete to think about leaving. Even though the Moira affair is over, Nate continues to be a sticking point, especially since Cara has disappeared – and she was one person that might’ve made him a bit more interesting! But forgetting how boring and immature Nate seems, doesn’t Tracy deserve better writing? Tracy already had her empowered moment of realising Nate was a sleazy player, so why was she falling over herself after just one conversation in the shop? It’s true Tracy doesn’t have the best track record in choosing men (David, anyone?) but she’s gone from dates with Billy, a fling with Pete and now this with Nate all with little care to develop these connections. We all know Amy Walsh is capable of big things, so why is she continuously rushed into empty romances. Surely Tracy deserves a big love story, not just whichever single man is hanging around!

Rotten Romance

vlcsnap-2020-02-09-11h24m08s320In any other situation, the rom-com cuteness of Vic and Luke this week would have paid off. He got a chef job at the pub, despite being hopeless with anything else but a microwave and Vic was doe-eyed and smitten watching him mistake gravy for caramel sauce and take hours to cook a pizza. They have chemistry, a real spark, Luke is sweet in a helpless puppy way, and above all Victoria deserves a lifetime of happiness. So, why does the whole thing feel a bit icky and wrong? Even Luke’s cheese-tastic comments to baby Harry which Vic overheard on the baby monitor couldn’t hit the mark when you look at the bigger context. Of course Luke isn’t anything Lee, nor should he be judged on his brother’s crimes, but by having a relationship with him, Vic is tied forever to those memories and that family. And that’s without getting started on the Wendy issue. Even if you buy into the pair’s feelings for each other it seems like an impossible situation that just doesn’t feel realistic. It’s Vic’s choice to explore a relationship with Luke but as a writing choice it means never moving away from her trauma – Lee will always be there in the background, as an anecdote or a memory for the Posners. Vic does deserve happiness and a fulfilling romance, but with the brother of her rapist, a man who lives with his mother (a woman who repeatedly harassed, stalked, gaslighted and continues to make Vic’s trauma about herself) – this is a contrived and unbelievable situation and Victoria is worth more than her whole life being defined by her rapist’s family.

Scene of the Week (3-7 Feb 2020)

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Laurel was pensive this week when she revealed to the kids the sad news that their granddad Sandy had passed away. This scene was beautifully done. With Gabby being older, she understood quicker than bewildered Arthur, who then immediately believed he was responsible. As the sad news sunk in, we were reminded just what brilliant actors these three are. It’s been a while since the whole Thomas family have been involved in something so emotional and grounded. Sometimes it’s the quiet scenes that really reflect real life which are the most impactful.

Fave or Fail? (27-31 Jan 2020)

faveorfail

Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! A brilliant week of episodes following the aftermath of Graham’s murder, as Marlon was imprisoned and Pierce manipulated from afar.

Faves

Marlon Behind Bars

vlcsnap-2020-02-02-11h40m22s706Three cheers for the brilliant Mark Charnock this week whose emotive performances have impressed all week as Marlon’s world was turned upside down. With Pierce pulling the strings, Marlon’s chances of being found innocent seemed bleaker and bleaker and his expressions were haunted as he realised his fate. As the court decided he wouldn’t be granted bail, all Marlon’s hope had evaporated and this was particularly a struggle knowing how difficult April was finding life without him on the outside. Marlon was a broken man in his visits and his time spent with his useless solicitors as all evidence pointed against him. This is a great story to showcase Mark’s acting and it’s particularly effective as there’s nothing quite like a wrongly imprisoned character to galvanise viewers. The Free Marlon campaign begins now!

Rhona Turns Detective

vlcsnap-2020-02-02-11h39m17s835The aftermath to Graham’s death has been anything but a disappointment. I’d go as far to say this week was even better than last, as the big stories and secrets unravelled, we were treated to gripping developments and impressive performances. Having spent months being fairly cold and unlikeable, Rhona became a welcome key player this week as her grief over Graham didn’t restrict her to crying over her dead robot lover, but actually gave her a strong purpose we could get behind – finding the real culprit and saving Marlon. After coming face to face with Marlon, Rhona was convinced by his story and she sought to hunt the real killer. Zoe Henry’s performances made Rhona both sympathetic and heroic as she took on this dangerous quest. With viewers on edge about Pierces return, Rhona’s digging made the scenes even more stressful to watch as we anticipate the moment she discovers Pierce’s involvement. This story already appears to have undone the damage the writing did to Rhona’s character and now she’s back to being someone we’re really rooting for.

Lurking Pierce

vlcsnap-2020-02-02-11h38m33s208Emmerdale did a great job with Pierce this week. Rather than over use him and have him feature heavily, his appearances were sparse and teasing. Just enough to have us spooked and booing and hissing. This week we saw Pierce sending flowers to Rhona, deluded that they still have a future together. We saw his dingy apartment and his flat mate and there was of course that thrilling moment where we thought he might come face to face with Rhona. The good thing about this Pierce story is his meddling from afar means the audience is united in screaming at the TV for the characters to piece together the clues and that’s always fun. Pierce is a smart villain which makes his manipulation successful and the stakes much higher because the chances of him being caught seem slim. So far there’s been just enough menace and suspense to keep us guessing – here’s hoping it continues!

Secrets Uncovered

vlcsnap-2020-02-02-11h36m36s918Even though last week’s episodes revealed none of our suspects were in fact Graham’s killer, this week’s episodes had plenty of gripping aftermath and secrets to reveal. As Kim struggled with guilt and the fear of Al being found out, he managed to keep up the pretence that he was Graham’s killer. Charity and Jai’s secrets were revealed fairly swiftly but it wasn’t until later in the week we learnt Andrea killed Tip (sob!) and Jamie had slept with Belle. Jamie and Belle have been on most people’s radar for a while with their natural chemistry so learning they had got it on was a satisfying development and one that sets up plenty of interest as we move forward and they fight their feelings, especially with their families suspicious of each other lending itself to Romeo and Juliet comparisons. Here’s hoping for a slow burn of longing looks!

Sarah Confesses

vlcsnap-2020-02-02-11h35m09s761When Noah overheard Charity talking about Graham’s death, full of anger and tearful, he corrected her suspicions and revealed his recent hospitalisation had nothing to do with Graham and she should talk to Sarah instead. Horrified at what Sarah had been up to, Charity confronted her about the drugs. As Sarah tried to explain and revealed she’d turned Danny over to the police, the scene was incredibly well performed by Katie Hill and Emma Atkins. While this story has been lost a little in the intense Graham aftermath, the confrontation scene alone was worthy of praise and makes me hopeful that Charity and Sarah will once again get to work together with some challenging material in future.

Aftermath for Jai

vlcsnap-2020-02-02-11h35m56s674Jai had a troubling start to the week when he woke up in the garden of the Sharma house, his hands still covered in blood. When news spread of Graham’s death, Jai expected the worst, only to find that he had attacked Jimmy and the door of the van on the night in question. It was refreshing to see this story reject sensationalism by having Jai and Jimmy’s war reignited with Jimmy going to the police or being a bloody pulp. Instead the Kings, Jai and Laurel discussed the situation and Jai’s issues frankly and Jai checked himself into rehab straight away. With Jai’s relapse seeming quite rushed I have hopes his recovery will take its time and as much as I love them together, hopefully Laurel won’t rush to forgive him either.

Fail

Charity Makes the Same Mistakes

vlcsnap-2020-02-02-11h41m49s041As with all good murder mystery stories each character had a secret on the night of Graham’s murder. It was revealed this week that Charity and Ryan had stolen Graham’s money which, when revealed, caused a rift between her and Vanessa. After their wedding was cancelled, Charity seemed fairly dismissive of Vanessa’s hurt and that was even before she started lying about her whereabouts! No wonder Vanessa was pissed off! When Charity confessed that while Graham was getting murdered, she and Ryan were stealing Graham’s cash, Charity’s excuse of wanting payback and the money seemed a little tone deaf when a lack of honesty had caused her split with Vanessa not so long ago. While this rift provides the pair with an interesting conflict of loyalties, particularly as Vanessa wants to confess and support Rhona, if this familiar argument has arisen between them so soon after the last, how will it be resolved again in a satisfying way that stays true to their characters? We know, and Vanessa knows, Charity loves a scheme and it seems unlikely she will ever be law abiding and honest forever, but it would be interesting to see their conflicts exploring new ground, rather than Charity just repeating her mistakes when she’s promised otherwise.

Scene of the Week (27-31 Jan 2020)

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Actors Mark Charnock and Zoe Henry shone this week but it was the scene where Marlon begged Rhona to believe him as she visited him in prison was a real stand out. As Marlon pleaded with Rhona to recognise that he wasn’t capable of murdering Graham, he asked her to remember their history and see through her grief to acknowledge that he was being set up. As Rhona tearfully told him she wanted to believe him, Marlon was adamant that she was his only hope of finding the real killer now that he was being set up. This scene was a gripping showcase of two underrated actors at their very best and a highlight of a great week of episodes.