Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! In the heartbreaking week that saw Charity open up about her past, Rhona confronted Ross about his use of painkillers.
Charity’s Crushing Past
Charity is one of Emmerdale’s best characters and Emma Atkins one of the best performers, but since her return in 2016 she’s been a bit wasted without a storyline of her own. I’ve grown to love Charity the landlady but she’s so much more than sharp tongued comic relief, as this week proved. With DI Bails acting as Hotten’s hero for vulnerable abused women, Charity’s past came flooding out to Vanessa before breaking down in her arms in painful and powerful scenes. We don’t often get to see Charity so exposed and open so when we do it’s all the more moving and poignant. Her backstory has been so carefully constructed that we can see ripples of it in her personality to this day and the hint at a secret son we didn’t know about offers more potential for heart-breaking stories in future too. Here’s hoping we get to keep Charity at the forefront of these big emotional stories for a while, it’s been too long.
Emmerdale is known for its beloved pairings and partnerships but sometimes friendships and fun can be found in unlikely pairings. Take Doug, for example, who has seemingly adopted Gerry as his little gardening protégé. They’re so very different but it’s their chalk and cheese dynamic that makes them so endearing. Ross has developed two surprising friendships this week, one with reality TV loving Rebecca and the other with addiction confidant Rhona. Ross might be using Rebecca to cadge extra meds, but he makes the character seem more genuine and relaxed than she ever has done. With Rhona onto his pill reliance, it’s been nice to see Emmerdale explore characters with similar history and makes his story more meaningful because of it.
This week things came to a head between Laurel and Brenda when Laurel discovered it was Brenda behind the identity fraud with her bank card. After Brenda’s less than subtle hints the week before, Laurel finally put the nail in the “Bobel” coffin and told Bob it was over and that Brenda was onto them. So far she’s stuck to her word, thankfully recognising that Bob had become a crutch, just like alcohol, and that this was a horrid affair for all involved (could’ve told her that!). Both her and Brenda had a showdown, both skirting round the truth of the affair in stilted, cold words both admitting to their wrong-doings but almost in code. It was an oddly satisfying moment, especially as it was an unusual move for an affair reveal. I can only assume when Brenda confronts Bob it’s going to be explosive!
After Charity’s vulnerable confession about her past to Vanessa, Ness did the worst possible thing she could do and broke Charity’s trust by calling the police. Vanessa’s naivety might have been well meaning, but it was classic “act first, think much later” Ness behaviour. I had hoped after she almost screwed up Rhona’s trial that she might have a bit more sense but instead she opened up a hugely traumatic experience for Charity, when it had been so raw and exposing for her. For such a significant betrayal this week’s conclusion left a lot to be desired, with Vanessa being forgiven and all being well in camp Vanity. I can’t help but feel Charity’s anger and hurt was more than earned and could have been played for longer, letting Vanessa really learn from her actions.
Short on Laughs
There comes a point when you hear the same joke so many times that it stops becoming funny. That’s how I felt this week about the mortifyingly bad Rodney and Misty story and Paddy’s bumbling fool routine. There were laughs to be had in the Rodney story but that mostly came from the Kings and the kids reacting to hippie vegan Misty, but as for Rodney’s sex-capades it was unfunny to the point of agony. It was hard not to wince and cringe at the noises and chasing, making me question if this was the same award-winning soap. As for Paddy, who managed to be even more irritatingly stupid than normal for suffering Chas (and us), surely he’s better than just playing the idiot? His comic relief can be brilliant, but making him flap and stutter all the time has lost any sense of comedy.