Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Bails got sent down this week and Emmerdale revealed what happened to Rebecca.
It was perfect timing for Emma Atkins to win an award for Best Soap Actress (at the TV Choice awards) the same week as she gave a string of outstanding performances during Bails’ trial. She’s without question one of Emmerdale’s finest performers and she really got to show that off, and prove her worthy win, as Charity stood for questioning and then had to deal with the emotional aftermath of the guilty verdict. I’ve had issues with the pacing of this story (from the dragged out Ryan reveal, repetitive conversations and then a very rushed trial) and felt that the narrative has been far too similar to Rhona and Aaron’s stories, taking place very recently for this story to feel fresh. But despite the story’s weaknesses, Emma’s been fantastic. Even when Charity is saying nothing, when she’s brooding, Emma performs the moment with a storm brewing inside of Charity so powerful that viewers can feel it too. With Charity really struggling and putting on an act, I’m sure this is just the start of impressive moments from Emma.
Despite some of the AWOL Dingles, I was glad to see Charity had a group of people surrounding her and giving her love this week, even faces like Tracy and Harriet who have been there from the start. Noah and Ryan’s bonding was great to see, and it was a powerful and moving moment to see them arrive in court, and give Charity that boost she needed. Although at times her loved ones have struggled with the right words and knowing how to best support her, the unflinching support from Vanessa this week was touching, even when Charity tried to push her away and bottle up her real feelings. It’s a long road ahead for Charity and I’m glad Emmerdale haven’t shown that a guilty verdict feels gratifying or like a relief for everyone, but hopefully the right people will be there for her when she needs it.
Three’s a Crowd
It wasn’t a big story this week but I’ve been really entertained by the trio of Rodney, Eric and Faith as Eric realised he was enjoying having Rodney around, just as Faith was getting more and more fed up. As Eric and Rodders bonded over love for the same auction telly show, Faith was asked by Brenda if their set-up was polyamorous like she’d read in the magazines. But Faith’s hope for an end in sight seemed unlikely as Eric turned down the generous offer on his statue and pretended to want rid of Rodney. This story might not have the must-see tension of a trial or soapy disaster of a serial killer, but it’s everyday fun and we could do with more of that.
I’m definitely not here for a Ross and Tracy romance, and Ross’s wild-eyed cocaine ravings aren’t a pleasure to watch either, but I loved the cathartic scenes of Tracy smashing up a car on Friday. Tracy’s become one of my absolute favourite characters and after her emotional and mature reaction to her split with David it was fun to see her let loose and have a bit of fun, releasing all that pent up anger. There was something childlike about Tracy’s joy in the scene that I loved and I hope there’s something brighter on the horizon for her.
They’re the first family to talk codes and rules, but when it comes to support, the Dingles can be flaky at best. Perhaps the lack of consistent family support for Charity can be blamed on real world production issues considering many of the main players in the Dingle family are involved in big stories of their own (be it Chas’s pregnancy, Sarah’s heart transplant or Lachlan’s chaos) but it feels like a massive oversight to not have them there by her side, especially when they’ve been missing in most of the story. Charity’s relationship with Chas has all but disappeared, Debs was too busy to be there for the trial and Aaron, who had been through similar himself two years ago, barely gave more than a passing comment. I don’t buy it. The idea that Charity is a strong woman who doesn’t need support might seem a believable perspective for them to take at times, but I didn’t believe that her loved ones would really behave in such an uninterested, nonplussed way knowing what she’d been through. It felt a contrived way to isolate Charity and exacerbate the aftermath of the trial. Take Marlon, for example, who is known for his huge heart, but spent the time he could’ve been with Charity, bonding with Ellis. It might be an actor availability issue but it didn’t ring true, not in this context.
In case you hadn’t already guessed the surprise twist, Emmerdale revealed that Rebecca is alive and well (ish) this week. Despite the fact Lachlan has no reason to keep her alive, especially considering he killed both his mother, grandfather and best mate and Rebecca knew all his secrets and conspired to lock him up in the first place, Rebecca’s been spared. This week we learnt that she’s been transferred from ramshackle shack to a bed in an unknown location where a creepy nurse is keeping her drugged and her hair well-conditioned. Yes, it’s as ludicrous as it sounds, like something from a horror B movie or American soap and while there’s always a level of outlandish soap stories, this exceeds that to stupidity. This latest development just feels like another way to extend the already stretched Lachlan plot, leaving viewers with more questions than answers. Who is the creepy nurse? Where did Lachlan find her? Why did she agreed to drug this distressed woman? Where is this random room located? How did Lachlan get her there? And so on. When Lachlan’s story should be hurtling towards a conclusion after last week’s climax, this just felt like filler. What makes the story even more tedious is that like the rest of her family, Rebecca was an isolated character with few meaningful connections in the village, meaning that when Rhona was mourning her this week, or Rishi talked about the girls in the factory being upset (characters she’s never interacted with) it just rings hollow.