Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Vanessa was revealed to have bowel cancer this week and Nate was shot accidentally by Cain.
Vanessa’s Ongoing Hell
First things first. If you’ve spent the whole of Vanessa’s imprisonment complaining about her not untying herself, or wondering how she’s going to the toilet then you’re missing out on enjoying the story for what it is – an OTT soapy plot leading to the end of Pierce. And if you can’t do that (pfft), suspend your disbelief and enjoy the performances at least because those have been excellent. This week it was revealed Vanessa has just been diagnosed with bowel cancer and in a cruel twist of fate, Pierce was the only other person to know. This is what made the reveal of her health crisis even worse because now the stakes are even higher and being trapped with Pierce is another twist of the knife. He’s the very last person you’d want to share your news with. Vanessa’s tragic situation was beautifully played by Michelle Hardwick making me anticipate a superbly handled health story on the horizon which is the type of story Emmerdale does so well and is crying out for. Another plus point is that this kind of story ensures a great hook for viewers once the Pierce drama is over. Pierce continues to be chilling and Jonathan Wrather did an incredible job at being skin-crawlingly intimate with Vanessa, as well as using Johnny as a way to torture her. This week’s scenes, especially Monday’s episode, were uncomfortable and claustrophobic and so well performed. Forget the nit-picking, the Pierce story is still the most gripping story Emmerdale has.
Rhona was in pure detective mode as the fall out of Graham’s death continued this week but as she finally believed she had real evidence of Kim’s motive (the stolen motive), she was left reeling by Pierce’s card in her flowers. This discovery floored Rhona, unaware that Pierce had been let out of prison already, but this immediately set her mind racing. After speaking to an unhelpful police officer, Rhona speculated that Pierce might have been involved in Graham’s death, especially when she could finally pinpoint the weird happens at home (the open door, the smashed photo) to Pierce. It’s satisfying to see Rhona alone piece together the clues as the tension towards the climax ramps up and giving her this active, detective mode has stopped her sinking into the role of grieving girlfriend mourning an unlikeable guy and has give Zoe Henry a lot more to do and has positioned Rhona as the hero we can all root for.
With the divorce papers signed, Moira was in a vulnerable position this week as rustlers threatened her livestock. There were signs however that there are still lingering feelings between her and Cain and later, when Cain needed an alibi, Moira put on her game face and covered for him without hesitation. And when Moira’s determined and steely, she’s got a power that’s more than a match for Cain. It’s hard to believe any other woman would have Cain’s back like she does. Despite last year’s affair tarnishing what Coira had in the eyes of many, they do make a well balanced couple and when the two had a quiet moment in the barn, the tension simmered like it always did. Could Coira be rebuilt or did we see signs that Moira will be left out in the cold in favour of Cain building a relationship with Nate? Even though Emmerdale would need to do some serious work to repair the damage done to both Cain and Moira’s marriage and Moira in her own right, it’s hard to imagine them working as well with anyone else.
Harriet’s House of Boredom
Answer me this. How can it be possible that a household comprised of an ex-drug trafficker, an undercover cop turned vicar and an ex-heroin addict prostitute trying to reunite with her son be so damn boring? This week saw Dawn set up some play dates with son Lucas (a storyline so dry for Dawn’s character I almost wish she was on crack again) which turned to disaster when he started waving a real gun around. This was revealed to be Will’s gun, kept for protection because he’s inexplicably scared of bad guys coming after the family. Harriet was horrified that her ex-crim drug lord of a boyfriend who has since turned into a gentle bore could possess a weapon and then we watched as the pair had the same row the entire week. I was excited when Dean Andrews joined the show and even more so when the family’s complicated past was revealed but instead of exploring this dark and complex history and rebuilding trust, Harriet and Will were rushed back together in a lifeless romance and now even attempts to make the dull happy family set up have some drama completely fall flat when the writing for all three has diluted all the darkness and intrigue out of their personalities. This story is a complete yawn for all three characters when a look at their backstories screams potential.
Nate’s Forced Redemption
It was inevitable from the moment Nate revealed he was Cain’s son, that one day they would build bridges and have a familial relationship. It didn’t matter that Nate arrived and helped tear Cain’s family apart, the pair would clearly embark on a journey of reconciliation. Despite the callous way Nate behaved, Nate seems to have developed a bit of a victim complex, sulking that he went been forgiven already and Emmerdale seem to be at great pains to prove that Nate’s actually a nice guy, Mr Misunderstood with abandonment issues. This hasn’t gelled that well with many viewers particularly those who, like me, loathed the whole affair plot. It’s quite a feat to have Cain soften towards someone who did what Nate did not even six months after the implosion of his marriage, even if Nate is his son. This week saw Cain accidentally shoot Nate believing him to be a rustler and cynics would say this was all a convoluted way to have Cain’s feelings shift rather than it happen over a longer period of time in a way that feels organic. It doesn’t matter whether Nate has a hundred fans in the Dingle family or he mopes around or he gets injured, a lot more work needs to be done making Nate an engaging character in his own right and not just contrived situations to illicit sympathy from both Cain and the audience.