Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! As Marlon’s hell continued, April ran away from home and a tragedy prompted Arthur’s shocking confession.
Pierce Gets Smarter and Scarier
Pierce stepped up his plan of action this week and after overhearing Rhona’s distrust and dislike of Kim, he decided to embed himself into life at Home Farm with a crafty plan. The beauty of Pierce’s return is that he’s both smart and chilling, meaning you can forgive the slightly more outlandish “He’s behind you!” moments. This week Pierce was back lurking around Smithy Cottage, even going as far as talking to and touching Rhona while she was sleeping. Creepy as hell! But it would have got old and unbelievable quickly if that was all Pierce was up to, but luckily he had more up his sleeve than that. With the help of a cunning plan to make Kim believe she’d run him over and smashed his phone, Pierce got an invite inside Home Farm and there his manipulations continued. Sure, it’s a bit of a stretch to believe Kim would so readily trust a stranger to help with her son’s custody battle, but Pierce is convincing and charming enough for us to suspend disbelief and it’s fun for us to be privy to his real identity while the rest of the village is oblivious. The Graham murder aftermath continues to be great viewing.
Arthur’s Shock Confession
The Thomas family had some very sad news this week as Laurel revealed that Sandy had died. These scenes not only provided some emotional performances from the brilliant actors within the Thomas family but it also sent Arthur into a spiral of guilt. Blaming himself for his grandfather’s death, Arthur ran away to the graveyard to talk to his dad and apologise. Arthur was at breaking point when Jimmy tried to comfort him and he eventually confessed all to mum Laurel, revealing that he had been the one to hurt Archie. These scenes were excellently performed by the consistently great Alfie Clarke and also Charlotte Bellamy who showed Laurel’s conflict between anger and guilt herself for not noticing Arthur struggling. I’m glad the Arthur/Archie plot didn’t drag on too long (though Arthur’s confession does feel a little isolated when we haven’t seen Archie for weeks) and it felt true to Arthur’s character to have him confess. I also enjoyed the extra strain this put on Laurel and Jai’s relationship there’s interesting potential there going forward if she eventually tells him the truth. Considering Ashley’s history of violence, I hope Arthur’s actions and his struggles won’t be brushed under the carpet because I think this is a worthy story to be told.
Another young actor took centre stage this week as Amelia Flanagan as April reminded us what a top performer she is. With Marlon still suffering in prison, April learnt she’d been lied to and could in fact visit him. Feeling betrayed, April ran away from home and soon the whole village went on the hunt for her. Meanwhile Marlon was inconsolable when he heard the news of her absence, making his imprisonment even harder to bear. Eventually April was found and it was decided she could go and visit. As the family tried to be strong, with their Free Marlon campaign, the situation isn’t looking any more positive and poor April likely won’t feel any better once she’s seen Marlon there herself. This storyline has provided some great performances and it’s been enjoyable to see Mandy, Billy and Bob in particular taking a supportive role in April’s life.
Pete’s Lowkey Exit
This week’s episodes saw the start of Pete’s low key exit plot as he decided to make a new start away from Emmerdale. After working at Wylie’s Farm for a while, Pete was overcome with bad memories – this was, after all, the site of his father’s imprisonment at the hands of Emma. Pete felt a bit of a spare part this week as Tracy moved on with Nate under his nose and realised that there’s very little keeping him around anymore. Pete’s been in Emmerdale since 2013 so on one hand it feels a bit of a disservice to have such a muted exit, though on reflection, Pete’s been a less central character lately and it’s an exit true to the Pete’s history and with almost all his family gone, options are limited to give him a big send off. The scenes this week where he considered his future and reminisced about better, and also darker days, were well done and for a “taxi” exit, isn’t as rushed as they usually are.
For some inexplicable reason Tracy found herself smitten with Nate this week and this latest romance is something I’m really hoping was just a device to get Pete to think about leaving. Even though the Moira affair is over, Nate continues to be a sticking point, especially since Cara has disappeared – and she was one person that might’ve made him a bit more interesting! But forgetting how boring and immature Nate seems, doesn’t Tracy deserve better writing? Tracy already had her empowered moment of realising Nate was a sleazy player, so why was she falling over herself after just one conversation in the shop? It’s true Tracy doesn’t have the best track record in choosing men (David, anyone?) but she’s gone from dates with Billy, a fling with Pete and now this with Nate all with little care to develop these connections. We all know Amy Walsh is capable of big things, so why is she continuously rushed into empty romances. Surely Tracy deserves a big love story, not just whichever single man is hanging around!
In any other situation, the rom-com cuteness of Vic and Luke this week would have paid off. He got a chef job at the pub, despite being hopeless with anything else but a microwave and Vic was doe-eyed and smitten watching him mistake gravy for caramel sauce and take hours to cook a pizza. They have chemistry, a real spark, Luke is sweet in a helpless puppy way, and above all Victoria deserves a lifetime of happiness. So, why does the whole thing feel a bit icky and wrong? Even Luke’s cheese-tastic comments to baby Harry which Vic overheard on the baby monitor couldn’t hit the mark when you look at the bigger context. Of course Luke isn’t anything Lee, nor should he be judged on his brother’s crimes, but by having a relationship with him, Vic is tied forever to those memories and that family. And that’s without getting started on the Wendy issue. Even if you buy into the pair’s feelings for each other it seems like an impossible situation that just doesn’t feel realistic. It’s Vic’s choice to explore a relationship with Luke but as a writing choice it means never moving away from her trauma – Lee will always be there in the background, as an anecdote or a memory for the Posners. Vic does deserve happiness and a fulfilling romance, but with the brother of her rapist, a man who lives with his mother (a woman who repeatedly harassed, stalked, gaslighted and continues to make Vic’s trauma about herself) – this is a contrived and unbelievable situation and Victoria is worth more than her whole life being defined by her rapist’s family.