Sandy: Salad isn’t food! It’s what food eats!
Sandy: Salad isn’t food! It’s what food eats!
Officially Britain’s Best Soap for the second year running is the brilliant Emmerdale. Not only did they win the top prize of the night – again – but they also collected five other awards including all the fan voted awards. And even better, after winning the NTA, the RTS and the BAFTA too, this is the second time in soap history a soap has won the grand slam collective. So three cheers for Emmerdale – keep up the good work.
Here’s a look at the prizes they won on Saturday night.
Best Single Episode: Ashley’s Point of View
Who can forget the fantastic, unique and original episode last December when we saw the world through Ashley’s eyes? Emmerdale did an incredible job giving us a closer insight on how confusing the world can be for someone with dementia. Using special camera techniques and look-a-like actors to give us that creeping familiarity was a genius touch and all the doppelgangers did an amazing job. They even used the old Emmerdale village in Esholt and the original Woolpack to give it an even cleverer touch. Ashley’s special episode is even used in dementia training now so I couldn’t think of anything more deserving for the accolade.
Best Storyline: Ashley’s Dementia
The story of Ashley’s dementia touched the hearts of many viewers especially considering it’s an illness that affects so many families. It was completely heartbreaking to watch Ashley’s decline and the touching scenes of his family attempting to cling on was easily some of the best soap material ever scene. John Middleton gave many acceptance speeches that night but there was truly nothing more emotional than his tribute to a man currently going through the same illness as Ashley who has found a new love of singing.
Best Actor AND Best Male Dramatic Performance: John Middleton
What a man John Middleton is. Gracious, humble and a legend. He gave the performance of his career in the Ashley storyline, a story and a character than has been praised so widely by fans and critics alike. John was such a deserving winner of both awards and gave very kind and thankful speeches every time he collected his awards, making sure to credit all those behind the scenes and the fans too. Ashley’s story and the man himself will never be forgotten and judging by his speeches, the awards couldn’t have gone to a nicer man.
Best Actress: Charlotte Bellamy
There was no one more surprised than Charlotte herself when she won the fan-voted award of Best Actress, but she shouldn’t have been so shocked – she’s been exceptional. Not only has she given a relatable performance as a wife and a mother struggling to hold family life together during her husband’s dementia, Charlotte give Laurel and her alcohol addiction such depth and heart. She’s consistently brilliant and it’s about time she was rewarded!
Best Soap: EMMERDALE!
Matthew Wolfenden’s reaction said it all! Emmerdale was voted as the winner of Best British Soap for a second year running – and so deserved! The last 12 months have brought us countless amazing performances, gripping storylines and some of soap’s best moments ever. From Holly’s death, to Ashley’s dementia, to the incredible Super Soap Week, to the Robron wedding and Rhona’s rape – Emmerdale had a great year. Can they make it a hattrick? Let’s hope so!
I expect you all know the results of the British Soap Awards by now but you can expect my verdict on the big night the day after it airs on telly. But for now, lets celebrate our amazing and talented cast and their glamorous looks on the red carpet.
Last year Fiona Wade (Priya) wowed in black and this year she’s done it in white, wearing what was probably my favourite outfit of the lot! I love that she paired a crop top with a floaty full skirt – it’s elegant and modern. Amy Walsh was a far cry from Tracy’s 90s make-up and pastel outfits and looked super gorgeous in bright red with a matching lipstick. Her sleek shoulder-length hair really suits her. Speaking of hair, Eden Taylor Draper’s (Belle) soft waves really complimented her delicate and pretty dress choice. A lilacy-blue colour with a floral detail was a lovely summery and girlie pick. All three wore completely different looks and each of them looked stunning – now if only there was a reason to get this glammed up for a night at the Woolie.
Best Hair and Make Up
I could have picked any of the Emmerdale ladies and cried about how beautiful they looked on Saturday night’s award show, but there were three women in particular who left me with serious hair envy. Multi-award winning Charlotte Bellamy (yes I can say that now!) is used to having her hair pulled back, wearing quite mumsy florals and cardies as Laurel, but at the British Soap Awards she looked chic in black, her hair down in sophisticated curls. I really loved Charlotte’s make up too, a simple nude lip, a dewy glow and a smokey eye. Similarly Michelle Hardwick (Vanessa) rocked a fresh make up look with a pretty pink lipstick, but she had her hair in the cutest up-do that I just loved. When it comes to Zoe Henry (Rhona), I ALWAYS long for hair as lovely as hers but I loved how she went for slightly messy waves, giving her whole look a bit of a rock-chic vibe. Perfect.
Guys have an easy job, don’t they? Because you cannot go wrong with a suit. But I have to say, my favourite choices on the suit front are the unconventional so that’s why you might raise your eyebrow at my favourites! Matthew Wolfenden (David) – with a lot more hair than he had last year – looked gorgeous in a completely blue suit (doesn’t it look lovely with his eyes?) and a slightly metallic looking tie. Also looking curly on top was almost-King-of-the-Jungle Adam Thomas (Adam) who went for a very unsubtle floral print shirt. It was bold and loud and a really unusual look for the soap awards – I loved it!
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Emmerdale are the reigning champions of the British Soap Awards (but this was a really boring week – sorry).
Hooray for some of the women of Emmerdale this week who managed to lend a friendly ear to a few of the clueless males in the village. Where would they be without you? There was Laurel who did manage to tie herself up in everyone’s favourite story twist – yep, double cheating two for the price of one – but it wasn’t all bad because she actually managed to talk sense into Marlon and help him avoid a complete meltdown. For a bit at least. There was Priya who wisely suggested Jai give Nell some space and also Moira who very sweetly encouraged Jai in his new romance, telling him she was glad he was moving on. Friendly advice and community support – now if only they took notice!
The Long Goodbye
I’ve already written about Carly’s weird exit but its heavy focus in the week’s stories seemed a strange choice when we knew she was going. Saying that, Carly and Matt had a sparky and fun chemistry that made their backstory and her eventual reasons for leaving a little bit more believable. Most of Carly’s depth and storylines have arisen from exposition heavy scenes and a weighty backstory – the Matt stuff has been no exception. Luckily the actors had a good rapport and if circumstances had been different Matt would have been a good addition to the show. The inevitable implosion of Marlon and Carly’s ill-fated romance did feel a bit clumsy and rushed, but it was sold well in all its uncomfortable glory.
Sweet Factory Silliness
Jimmy and Nicola deserve far more than the tropey nagging wife/useless husband routine and while I’m glad they have a very healthy sex life, it’s a shame that they’ve been reduced to continual stories about their kinky adventures when they’re capable of much more. However I always enjoy Nicola’s scenes and Jimmy looked amusingly dopey in his factory hat. The swan disaster comedy plot was pretty silly and pointless but Bernice arriving to save the day and painstakingly decorating hers did raise a smile at least (more from the Blackstock sisters please) and in a week as dull as this one, it was needed!
There’s a real lack of compelling, emotionally engaging and dramatic plots in Emmerdale at the moment and what we’re left with is these lowkey and dull stories at the front of the show. Away from the silly humour and Carly’s exit this week was the (not so) great Jai and Nell love affair. I was a quiet champion of the Holly and Jai relationship last year but this Nell business just isn’t working for me and he almost comes across as her dad rather than her lover. Nell is sulky, immature and unconvincing leaving a big question in the interpretation of their scenes – does Jai just feel sorry for her? Guilty even? The love declaration just came across as insincere and desperate which I don’t think was what they were going for! It’s all mildly creepy and leaves Nell looking a tad unstable. She’s not the only Emmerdale lady with weepy and unconvincing motives but this plot is definitely not interesting enough to be front and centre of Emmerdale.
It seems like Emmerdale has toying with the idea of Belle and Lachlan forever but this week things seem to be progressing towards romance in an uncomfortable way. After her romance with Dr Bailey it’s safe to say Belle’s taste in guys isn’t great but there’s a bigger issue in this Lachlan story and the way Emmerdale are telling it as if they’re star crossed, teenage misfit lovers. No. Just no. Lachlan isn’t just a spoilt and messed up kid, he’s a remorseless sex offender and despite her questionable taste, Belle’s meant to be the smart one in her family. If stomaching Belle’s pining and jealousy of Lachlan seemingly moving on without her isn’t bad enough, then there’s the snobby behaviour of his mother Chrissie who is trying to keep the pair apart. No Dingle is good enough for her precious sex offender son amiright? It kinda feels like we should be wanting this teen love to triumph but how can we root for Belle and a sexual offender? Since the refusal of Emmerdale to ever decide on Lachlan’s psyche and zero intentions to have him show remorse for his crimes, we’re continually in a limbo of discomfort where a character like him cannot remain in the programme with stories like this.
It wasn’t the most compelling weeks of Emmerdale and even my Scene of the Week choice is admittedly iffy, but go with it. Carly’s exit was an odd one. Rushed on the one hand (Marlon’s insistence she should leave immediately and be with One True Love Matt felt hokey to say the least) but on the other hand she’s had so many almost-exits it feels like this has been dragged on a bit. It’s more of a loss to say goodbye to actress Gemma Atkinson, who managed to give Carly a lot of heart when she was given so little plot to work with, and even in her final moments I felt like Gemma brought more to Carly’s exit than was on the page. It’s rare for an upbeat exit for a character but leaving Marlon sobbing and running away without a goodbye to Bob and her friends was a bit of a kick in the teeth for Carly’s character development. Still, there was a bittersweet element to it, that while Carly did have smiles, there was an uncertainty and sadness in her expression too which made it feel marginally less contrived.
Marlon: Will you stop going on about how good looking [Matt] is?!
Paddy: Sorry but he’s funny, isn’t he? He’s really chill and…
Marlon: Seriously! Have you licked his face yet?!
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Robert confessed his betrayal to Aaron this week and we enter another stretch of Emmerdale’s Worse Storyline Ever™
Rollercoaster of Emotions
Let’s not get into this Aaron/Robert/Rebecca baby plot, which has to be one of my most loathed soap plots of all time, but let’s talk about the one saving grace of this story and that’s Thursday’s reveal. It’s been a ticking time bomb for months but finally this week, torn apart by guilt, Robert confessed his betrayal to a devastated Aaron. The Robron relationship has had more ups and downs (and to be honest, more downs) than Space Mountain but if anything this set of episodes proved why they continue to drag Aaron and Robert from one torturous story to the next and that’s how well the actors sell the heartbreak and the passion in their character’s relationship. With a script that dug right into their deepest flaws and issues, the intense argument saw Aaron and Robert communicate like never before as they got to the heart of why Aaron’s prison spell and Robert’s huge mistake had caused such a colossal impact on both characters. It was an honest, intimate and powerful display of their complex relationship one that owes a great deal to the long-standing chemistry between Danny Miller and Ryan Hawley and a partnership which I hope doesn’t suffer too much in this unpopular storyline.
Lydia continues to be an injection of fun into Emmerdale and her budding romance with Sam Dingle has been a joy to watch. In just a few weeks she’s managed to integrate with lots of different characters with her cleaning job, but her comedic role in the Thomas household has worked surprisingly well to lift them after the serious and rather bleak Ashley plot. Away from Lydia was the stained-glass window mix up on Friday which saw Kerry’s creative unicorn and Adonis Ashley contribution be installed instead of Arthur’s intended window, thanks to an email error by Sandy. Bernice arrived during the chaos and of course made my GIF of the week. Far from making light of Ashley’s passing, these lighter moments have shown that laughs are possible after a death and he definitely would have seen the funny side. I’m glad that Emmerdale are able to remember Ashley, that the Thomases are allowed to grieve and but that life goes on, with smiles and even with a stuffed cockatoo in tow.
Maybe I’m reading into things with Moira this week but I definitely felt like there was more to her exhaustion collapse and jumpy behaviour around Faith. It might not be the pregnancy plot we all predicted would happen when she slept with Pete and then Cain back in December, but it does make you wonder. Still, mystery aside, I love seeing Moira in farming mode and her interactions with Faith (like berating her for flirting with Adam) are really good fun. But what was also nice this week was the reminder of Holly and the realism of her presence continuing to impact upon Moira when in soaps death is so quickly forgotten. The scenes between Adam and Moira as they came together again after their fallout was a touching moment and part of the family warmth I’ve come to expect from Emmerdale at its best.
Carry On Car Theft
It was only last week Debbie made my ‘Faves’ list as I praised the new and more light-hearted direction her character was going through, but this week the fun turned farce as Charity got on board for some carry-on capers. The Charity and Debbie relationship is one which has a natural spark and their bickering in a crisis is much more enjoyable than when they’re feuding about Charity’s wrong doings, but this week’s scenes crossed the line into just plain stupid. Charity can be a great comedy character and she’s proved she can work well as pub landlady but surely there’s got to be a better story for her than an “oops we’ve knocked a man out cold let’s shove him in the boot” episode filler. I love the Debbie and Charity interactions but these scenes dragged on, thinning out the humour in them, but if it keeps Debbie away from mopey love-life stories then I won’t complain too much.
A Massive Failure
Where to start? I hate this storyline and to be honest I don’t know any Emmerdale fan that doesn’t. Granted, throwing a one-night-stand into the mix a mere three weeks after your most popular couple get hitched was never going to be received with open arms but the progression of this story has only got worse from then on. Putting aside the repetitive and tired clichés of this story, the unrelenting torture of Aaron and the tiring on/off conflict between Aaron and Robert, which is testing even to the most ardent of fan, we come to the biggest problem of all in the writing of Rebecca White. Introduced as the “good” White sister willing to take down her family and seduce Robert in the process, we’ve seen her turn from independent go-getter and vixen to saintly victim throughout this storyline. Not a day goes by when she hasn’t had a dramatic change of heart and this week we had the full spectrum. From wanting Rob to not wanting him, from not wanting the baby to desperately wanting to be a mother, to staying out of Robron’s way to actively telling Aaron to leave Robert. Her motives are all over the place and I don’t think it’s hormones. Her character makes no sense and her flaky lack of coherency and agency screams of a character who is written on the spot, bowing slavishly to the plot and because of this she’s not a character I believe, let alone like. Her weepy protestations of her innocence are thin and insincere and not like any woman I know (thank god). Sorry Emmerdale, there’s no getting round this, this is a massive failure for all characters involved.
It’s a testament to the performances of actors Danny Miller and Ryan Hawley that they can still make a scene special and touching, even in the midst of a storyline almost universally hated like this cheating/baby plot is. Lets call it magic. Falling at the end of Thursday’s dramatic two-parter, this poignant moment was more like a patch of blue sky in between downpours rather than the calm after the storm, but the pair have a chemistry that means it’s just about worth suffering through this predictable plot for. After Robert’s disastrous one-night stand secret came to light, this final scene saw them reunited, trying to move on from their individual issues. It was a welcome change to see Robert as the vulnerable one, clinging onto Aaron who had made the difficult decision to forgive rather than fight his husband. It’s easy to see in scenes like this why they’re such a popular couple, but also why moments of tenderness are a nice reprieve in the never-ending misery fest of their lives in Emmerdale.