Finn: You know when I said, “Whenever you’re ready”…are serving or not?
Charity: Four letter word for disrespectful?
Charity: …Finn! F-I-N-N.
Finn: You know when I said, “Whenever you’re ready”…are serving or not?
Charity: Four letter word for disrespectful?
Charity: …Finn! F-I-N-N.
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Robert confessed his betrayal to Aaron this week and we enter another stretch of Emmerdale’s Worse Storyline Ever™
Rollercoaster of Emotions
Let’s not get into this Aaron/Robert/Rebecca baby plot, which has to be one of my most loathed soap plots of all time, but let’s talk about the one saving grace of this story and that’s Thursday’s reveal. It’s been a ticking time bomb for months but finally this week, torn apart by guilt, Robert confessed his betrayal to a devastated Aaron. The Robron relationship has had more ups and downs (and to be honest, more downs) than Space Mountain but if anything this set of episodes proved why they continue to drag Aaron and Robert from one torturous story to the next and that’s how well the actors sell the heartbreak and the passion in their character’s relationship. With a script that dug right into their deepest flaws and issues, the intense argument saw Aaron and Robert communicate like never before as they got to the heart of why Aaron’s prison spell and Robert’s huge mistake had caused such a colossal impact on both characters. It was an honest, intimate and powerful display of their complex relationship one that owes a great deal to the long-standing chemistry between Danny Miller and Ryan Hawley and a partnership which I hope doesn’t suffer too much in this unpopular storyline.
Lydia continues to be an injection of fun into Emmerdale and her budding romance with Sam Dingle has been a joy to watch. In just a few weeks she’s managed to integrate with lots of different characters with her cleaning job, but her comedic role in the Thomas household has worked surprisingly well to lift them after the serious and rather bleak Ashley plot. Away from Lydia was the stained-glass window mix up on Friday which saw Kerry’s creative unicorn and Adonis Ashley contribution be installed instead of Arthur’s intended window, thanks to an email error by Sandy. Bernice arrived during the chaos and of course made my GIF of the week. Far from making light of Ashley’s passing, these lighter moments have shown that laughs are possible after a death and he definitely would have seen the funny side. I’m glad that Emmerdale are able to remember Ashley, that the Thomases are allowed to grieve and but that life goes on, with smiles and even with a stuffed cockatoo in tow.
Maybe I’m reading into things with Moira this week but I definitely felt like there was more to her exhaustion collapse and jumpy behaviour around Faith. It might not be the pregnancy plot we all predicted would happen when she slept with Pete and then Cain back in December, but it does make you wonder. Still, mystery aside, I love seeing Moira in farming mode and her interactions with Faith (like berating her for flirting with Adam) are really good fun. But what was also nice this week was the reminder of Holly and the realism of her presence continuing to impact upon Moira when in soaps death is so quickly forgotten. The scenes between Adam and Moira as they came together again after their fallout was a touching moment and part of the family warmth I’ve come to expect from Emmerdale at its best.
Carry On Car Theft
It was only last week Debbie made my ‘Faves’ list as I praised the new and more light-hearted direction her character was going through, but this week the fun turned farce as Charity got on board for some carry-on capers. The Charity and Debbie relationship is one which has a natural spark and their bickering in a crisis is much more enjoyable than when they’re feuding about Charity’s wrong doings, but this week’s scenes crossed the line into just plain stupid. Charity can be a great comedy character and she’s proved she can work well as pub landlady but surely there’s got to be a better story for her than an “oops we’ve knocked a man out cold let’s shove him in the boot” episode filler. I love the Debbie and Charity interactions but these scenes dragged on, thinning out the humour in them, but if it keeps Debbie away from mopey love-life stories then I won’t complain too much.
A Massive Failure
Where to start? I hate this storyline and to be honest I don’t know any Emmerdale fan that doesn’t. Granted, throwing a one-night-stand into the mix a mere three weeks after your most popular couple get hitched was never going to be received with open arms but the progression of this story has only got worse from then on. Putting aside the repetitive and tired clichés of this story, the unrelenting torture of Aaron and the tiring on/off conflict between Aaron and Robert, which is testing even to the most ardent of fan, we come to the biggest problem of all in the writing of Rebecca White. Introduced as the “good” White sister willing to take down her family and seduce Robert in the process, we’ve seen her turn from independent go-getter and vixen to saintly victim throughout this storyline. Not a day goes by when she hasn’t had a dramatic change of heart and this week we had the full spectrum. From wanting Rob to not wanting him, from not wanting the baby to desperately wanting to be a mother, to staying out of Robron’s way to actively telling Aaron to leave Robert. Her motives are all over the place and I don’t think it’s hormones. Her character makes no sense and her flaky lack of coherency and agency screams of a character who is written on the spot, bowing slavishly to the plot and because of this she’s not a character I believe, let alone like. Her weepy protestations of her innocence are thin and insincere and not like any woman I know (thank god). Sorry Emmerdale, there’s no getting round this, this is a massive failure for all characters involved.
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Not the most exciting week of storylines in the Dales, but it wasn’t a quiet one for Moira, as she gave Charity a Glasgow Kiss.
One of the many things I love about Emmerdale is its USP – its gorgeous rural setting. But in recent years storylines have moved away from the country life and the farming profession. While stories about stolen cows aren’t the most exciting thing to ever happen in the Dales it made a nice change for there to be some actual farming plots in Emmerdale this week. Who can resist an overall clad, gun-toting Moira, or Charity chasing lambs and threatening them with mint sauce. Granted, more of stroppy Ross isn’t exactly my favourite thing, but pairing him up with Charity gave a nice excuse to revisit their sparky chemistry and I’m always happy to see these two plotting and sniping. Then there was Leyla, reluctant in the fields but making a hilarious distraction as a damsel in distress and a very welcome addition to gruff Barton rivalry. Not a favourite story by any means, but I’m always happy to see more on the farm.
It wasn’t the most thrilling week of Emmerdale, I’ve got to be honest. Most of the big stories seem to be on pause (that is unless you count the Jai and Megan custody battle as a big story!) but still, this week has been a step away from the more dark and hard-hitting plots. One thing that certainly injected life into this week’s episodes were the continued inclusion of Lydia, and the appearance of other zany guests like David’s derriere devotees at the book launch. The off-the-wall and exaggerated humour might not be for everyone, and it certainly works best in small doses, but these guest characters and their ability to rub our regulars up the wrong way works a treat. Take for example, leather clad Scotty B who kept calling David “Dave” or Voltaire quoting Lydia who takes five sugars in her tea. Their eccentricities make for a few good laughs and for me they’re a welcome slice of humour between the drama.
Never Too Young for Trouble
Most of the year it seems like Noah and Samson are kept in cupboards, steering clear of any major drama despite being part of the Dingles. Friday’s episode saw them have a little subplot of their own as Noah convinced Samson to steal from an unsuspecting Sam. There was something really enjoyable about these scenes with these rarely seen boys, Noah talking openly about how he uses Charity’s credit card and Samson feeling guilty. His and Sam’s relationship has been seen more lately as Sam tried to prove himself as a cool dad, much to Samson’s continued embarrassment but it’s been a nice change to see a little more of them. Once again Emmerdale proves it has the best young cast and I’m sure it won’t be long until they’re causing more havoc like the Dingles do best.
Would you believe me if I told you Tracy’s erotic novel saga has been running for three months? Three months! What started as a fun and frivolous story involving the ladies of the village and the brilliant Pearl and her saucy suggestions has now become a never-ending story for David and Tracy. The comedy in the plot has almost all but dried up and now all it does is highlight the things about the couple that are repetitive and unlikeable. Tracy looking stupid or being laughed at by others, moaning at David for not believing in her and then having moments of no self-belief. And David, one minute the proud and supportive husband and next belittling Tracy and holding her back. The erotic book plot should have lasted a few weeks or moved at a quicker pace, but now it’s dragged on for three months and has been reduced to a humourless vehicle for David and Tracy at their worse. Can we have new material please, not a sequel?
It’s not just the sluggish David and Tracy book plot which had a repetitive nature this week, as a number of stories seemed to tread familiar and stale ground. Last week I berated Megan’s storyline for being boring and it didn’t get better this week as her and Jai went head to head over Eliza’s custody. Debbie and Charity fell out for the six hundredth time when Charity schemed with Ross for extra cash (pot kettle Debs) causing Charity and Moira to clash again. Dan’s paramedic tales came to the forefront again as he stepped in to help Eric after a moment of fear held him back from helping, but will this end up going nowhere once more? Cain and Harriet’s fling was discovered which was a good thing considering their scenes have consisted of being cock-blocked by Emma and vestry snogs for weeks and Emma’s treading water, clinging to Bible verses as another Barton war wages. She needs to step it up a gear! For all these stories and characters an injection of something new or unexpected is needed to liven things up a bit!
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Another week showcasing the full spectrum of soap – from the beautiful, honest and emotional to the cheap, tacky and unbelievable.
The Last Goodbye
For me the strengths of Ashley’s story were the far-reaching impact on his family and friends and the performances of the main actors involved and this week we had the best of these as the community gathered for his funeral. Everything from Harriet’s crisis of confidence, to Gabby’s heartbreak and grief that she didn’t get to say goodbye on her own, to Laurel’s strength, to Doug’s speech, to Arthur’s poem – the reactions showed a full spectrum of grief and it was full of heart and warmth. Emmerdale has been rightly praised for the sensitivity and believability it has told this story with, staying away from cheap twists and playing each character’s reaction with relatable honesty. The writing and performances have cemented this as soap best and shows what Emmerdale is capable of.
Faith has managed to establish herself as a lively and interesting character in the village and she’s only been here five minutes, but what I loved most this week is this kind of girl gang her Sarah and Debbie have formed at Moira’s. Debbie’s a hundred times better when she’s not tied up in gangster heists or moping over Ross and Sarah and Faith’s relationship is blossoming into something lovely. This week Debbie and Faith butted heads over Sarah’s health but Faith also managed to get Debs to lighten up and the scenes where she tried to bring the holiday vibes into Sarah’s world was funny and heartwarming. I loved their sunbathing, cocktail drinking role play and it was even better to see the usually dour Debbie getting involved in the dress up.
The Ashley and Laurel dream sequence was a controversial choice for a moment of closure for a story which has been grounded in so much reality from the start, but with John Middleton and Charlotte Bellamy’s emotional performances and so much history involved, I think Emmerdale made it work. It’s not the first time Emmerdale has done a dream sequence – Eric seeing Val and Marlon seeing Tricia spring to mind – and it’s a gimmick that maybe didn’t work for everyone but I’ll admit I thought it was very moving and a fitting end to the chapter. There’s a certain amount of comfort to be had in Ashley’s speech to Laurel about moving on and it’s not a luxury many of us have when losing a loved one, but fiction often gives us the wish-fulfilment real life can’t. It was a scene filled with history and continuity but at the heart of it a believable couple saying a heartfelt final goodbye when his decline had prevented them from doing so. Even more impressive was that this scene was done in one take, making those flawless performances even more impressive.
Readers of this blog will know I have a huge soft spot for comedic goofball Rishi but at this point I’m starting to feel like I’m cursed and it’s Emmerdale’s mission to make me hate all my favourite characters. This week saw Rishi and Faith go on a date but after some crass and uncalled for comments from Charity, Faith panicked and ended up confessing about her mastectomy to Rishi. Faith’s dilemma is one faced by other women going through the same insecurity after surgery but did this story really need to be rushed through with all the sensitivity of a hammer to the face? I know Charity isn’t the most understanding of women, but would she have really laid on the warning so thickly, making out as if Faith was some disfigured monster? Would Faith have really told him on date number one? Rishi ran out in a panic straight away and then mouthed off about it loudly in the pub for all to hear, including Faith. We know Rishi can be an idiot but this plot development was rushed when this story needs time and care to do it justice.
The Recipe of Success?
The perfect recipe for a terrible storyline? Take one beloved couple and destroy their re-built foundations of trust and loyalty. Add several backward steps for a complex and interesting character you spent eighteen months redeeming. Villainise said character by using a reconstructed history and new character whose personality changes depending on plot to make her the hapless victim and him the heartless bastard. No grey areas. Pretend condoms are 100% effective. Make a sensitive hero of your sleaziest male character to demonise said complex male. Remove female character’s agency. Add blackmail. Remove reactions of suspicion from the spouse and make them dote heavily on duplicitous male to up the stakes. Flee the country and pretend this all goes away. Wonder how the hell this is ever going to be salvageable for the beloved couple.
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! An unbearable time for poor Aaron in a week that saw the comedy kidnap of Rakesh.
Marlon was a man of many talents this week as he got stuck into some emotionally fraught drama with Laurel at the start of the week, relationship tension of his own and then finally some brilliant comedy with Charity on Thursday. Having been a great comfort to the struggling Laurel, Marlon was forced to defend their almost-kiss to Sandy and to girlfriend Carly when the dust settled. While it was nothing but an emotional and difficult moment, Marlon was forced to defend their behaviour and gave Sandy an impassioned speech about how difficult Laurel’s life has become. As for Carly, cute as Carlon are, I’m not convinced she’s really as ready for the serious commitment Marlon is offering as she makes out she is – even with the promise of bubbles in the bath with him. Finally Marlon tried to rescue Charity and Frank from Megan’s discovery (despite him earlier being very narked that Charity wasn’t serving any customers) and ended up seeing A LOT more of Charity than he planned. Not even a wine glass held up to his face could hide that awkward moment!
I have to be honest with you and share something I wasn’t sure I’d be able to admit. Okay. I like Jai. I’m fond of Jai. I even find myself agreeing with some of his opinions and this week I was all ready to have the “Team Jai” t-shirts made. Who’d have thought it back in 2015 when he was so unlikeable and cold-hearted? Jai was firmly in the “get Rakesh away from Priya” camp this week, even going as far as to try and pay him off. Sure, he doesn’t like the guy and there may be selfish reasons too but ultimately we’re in agreement: that Priya can do so much better. Jai’s scenes this week also involved him trying to jeopardise Priya’s move by dropping the bombshell on David and leaving before the fireworks and I admire his technique really. But whatever he has against Rakesh, he’s spot on about his sister and he did seem genuinely worried she might relapse and it’s impossible to disagree with the guy when he called Rakesh a loser and that she shouldn’t just forgive him. Too right, Jai. Too right.
Brutally Compelling but Too Cruel?
When it comes to Aaron Dingle’s latest storyline I’m torn. It’s full of uncomfortable, dark and important material and it’s performed so superbly that the pain Aaron’s suffering feels very raw and real, but I can’t help but feel it’s too much and too cruel for someone who has been tortured their whole life. We know tragedy follows Aaron at every turn, but this time it feels too oppressive. On the plus side, Danny Miller is unquestionably and consistently fantastic, and Aaron’s pain alongside his family’s struggle is as compelling as it is heartbreaking and the portrayal of homophobia in prison is a worthy story to be told. Also the actors playing prisoners are excellent, particularly the chillingly good Samuel Edward-Cook who plays twisted Jason. But coming less than a year after Aaron saw his abusive father sentenced, Aaron had barely begun to step into the light of a hopeful future before even more pain was poured onto his life. Does there come a point where it’s all just two much on one character’s shoulders – one with a history of unbearable and untreated mental health struggles – and particularly when we know this is just the start of his hell? Aaron’s had a life of self-torture, did we need to see such a brutal treatment of him so closely linked to his traumatic childhood? Gordon has become present again, even after his death, and the claustrophobic and devastating treatment of Aaron in prison feels like a particularly sickening punishment of an abuse and rape survivor when that story was handled so well. I’m hoping Emmerdale doesn’t lose sight of Aaron’s strength and that they can find the light again when his time inside ends.
I don’t think there’s ever been a soap with more kidnaps than Emmerdale, but this week’s one came with a bizarre comedy element. Having set up a laughable “who bashed Rakesh over the head?” plot with multiple suspects, the real perpetrator was revealed to be Jimmy, who had tied Rakesh up in the Mill in an effort to prove his authority and avenge Nico. After trying to ease the bruising with a pack of frozen peas, Jimmy’s embarrassing backtracking began before he realised Rakesh thought he was harmless. Then came the bizarre tortures – the Aqua playlist (the whole album and not just Barbie Girl on repeat) and the threats of torching the place (only it was water rather than petrol). Sure, elements of this were mildly amusing, but Jimmy could only carry half the comedy himself and the rest fell as flat as Rakesh did when he tumbled out of Mill’s window. The heart of Jimmy’s revenge – his being devastated at Nicola’s paralysis and insecurity – was lost in the scenes bizarre nature and the truce both sides came to in the hospital seemed hollow when Rakesh’s injuries were only superficial. If this was soap karma, I’m not sure this was enough – or the right tone either.
The hugely repetitive White family dramas were back this week with Chrissie’s suspicions being at the forefront. Lawrence remarked to her that she says sorry a lot but nothing seems to change with her. Well, you could argue the same for the whole family who never seem to move forward and outside of their own bubble – meaning their inter-familial conflicts are on a loop. This week, once again suspicious of her father’s choice in partner (yep, we’ve been here with Bernice AND Ronnie before) and believing Ronnie to be scamming Lawrence for money, Chrissie ended up falling out with Lawrence. Once again we had scenes of Lawrence shouting about his disappointment in her, how she was bitter and money grabbing and how she was forcing him to choose sides. If it sounds familiar it’s because we’ve been here countless times before, no doubt leading to Chrissie yet again be welcomed back into her father’s arms. Without any other ties to the village the Whites are stuck up at Home Farm with only a passing nemesis now and again. Chrissie could be sympathetic, she could also be a soap bitch character but neither side is ever fully explored in any depth without us going round in circles. Ronnie’s character didn’t fare much better with him going to extremes to teach Chrissie a lesson – he’s not really the rival to challenge her villainy and with no real opponent Chrissie just comes across as a spoilt brat again.
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! It was Dingle mania this week as Cain and Chas’s mum rocked up in the village.
Thomas Family Heartbreak
If there’s one word to sum up the Thomas family story this week it would be this: crushing. Each week Ashley’s heartbreaking dementia storyline is featured, you think performances and the writing cannot possibly be bettered and yet it goes one further every week. The ensemble nature of the story means there are a range of emotions and reactions carrying the plot forward and fleshing it out with a devastating believability. From the whole family’s stilted conversation the night before Ashley was due to move into the care home, where Arthur’s agonised sobs that Ashley shouldn’t leave as he’d done nothing wrong were painful, to the moving sing-song, to Doug and Diane’s private despair – everything was pitched with the perfect tone. It’s a difficult watch and one that resonates so deeply with families watching. Laurel’s bravery and strained enthusiasm to keep going features endlessly superb performances from Charlotte Bellamy so much so, her portrayal feels less like a character and more like a real woman with every episode. Everyone is excellent in this storyline, and Laurel as the glue trying to hold everyone together, makes you ache watching – especially ending the week on that awful moment where she cried alone in bed after one of the worst days of her life.
Hair piled up high, sunglasses, cracking one-liners and a perchant for gin – okay, I think I’m gonna like Faith Dingle. Forget the drawn out way she was introduced this week (see below), I think Faith’s going to be exactly what the Dingles need for a bit of a shake-up. (I was already dying with laughter at her brutal assessment of Zak “only just buried your last wife and you’re digging up the next one”.) Chas and Cain already share great sibling scenes together so any more of this seems like a good thing, particularly considering they both have underlying issues with their mother – and that’ll be interesting to address. Not since Val have we had an older more outrageous woman in the village causing a stir and if she continues to be a pal for Diane and flirt with Eric, she might help to ease this Val-less pain.
The BnB Squad
Since Val’s death and Finn’s leaving of his job, we haven’t seen so much of the BnB even though Diane and Doug are working there too now. This week though really showed us what a dream team Diane, Doug and Eric could be. The honesty box subplot last week was just a little taster of this comedic magic and this week showed us more of their strange little relationship. Eric is a stickler for rules (breakfast isn’t allowed in the bar and definitely not at 3pm!), Doug is stuck in his ways and that grates on Eric and Diane is relaxed and loves a laugh. I loved their pettiness, like arguing over who’s cleaning the toilet as Doug hilariously mimed Eric’s encounter with Eric’s “girlfriend”, Faith – reminding me of squabbling school kids and I seriously hope we see more of them like this.
Scams and Schemes
I’m always in two minds when it comes to Charity’s dress up schemes. Sometimes they’re a good laugh and you’re able to suspend disbelief and enjoy the comedy and other times they fall a bit flat. Her diamond plot with Frank this week was on the fence. There were enjoyable elements to her scamming in the week – her and Frank work surprisingly well together and have a good deal of chemistry; Charity vs Chrissie seemed like a well-matched rivalry in terms of their verbal sparring; and the wealthy businessman + his henchman lover was a fun twist. But perhaps this dressing up, bonkers plan stuff is a bit much after the bank job the other week and the aggro between Charity and Debbie or Charity and the rest of the Dingles just feels like re-treading old ground.
You can see from above that I’m quite a fan of Faith already and the different dynamic she will add to the show but the road to finding out who she was seemed to drag on needlessly over four episodes. When a newbie arrives speculation is rife as to who they are, but Faith’s identity was just a bit too obvious from the get-go (especially when her arrival was teased almost a year ago), meaning there was little suspense in the reveal. It didn’t make a great deal of sense as to why she camped out so long in the barn, nor why Sarah latched onto her so fast and Sarah’s secretive and bad behaviour to keep her a secret was tedious to watch but now Faith’s been thrown into the family fold we should get some great scenes.
Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! Emmerdale made this history this week as they scooped “Best Serial Drama” at the National TV Awards for the first time ever! On screen, Debbie returned.
Chilling and Compelling
As we know, Emmerdale is going from strength to strength -particularly when it comes to its challenging and societal issue storylines. I’ve already praised the subtleties of the Pierce and Rhona storyline but it just gets better and better, all the while being dreadful and uncomfortable to watch. It’s not an easy viewing experience to see Pierce’s games at work – to see him manipulate and dig at Rhona’s insecurities – from the slut-shaming to the humiliation in front of her friends, but it’s one that highlights a troubling relationship dynamic. As outsiders we are able to see what Rhona is going through, seeing how Pierce’s control and rape of her (a manifestation of his dangerous inferiority complex) is crushing her, but we’re also seeing how she’s made to doubt herself, how her friends are pushed out, how his actions are almost normalised. Rhona already feels isolated, now not just socially but in her own head – because Pierce is making her feel like he’s blameless. It’s complex and confusing for her – when their passion has now been tainted with his manipulation, degradation and non-consensual sex. It’s chilling and sickening – but a hugely important story to tell and I’d go as far to say it’s already shaping up to be one of the best stories in soap in the last six months.
This week Laurel referred to Gabby Thomas as a little star and I’d agree, but I’d go one further than that and extend the sentiment to actress Rosie Bentham. Gabby’s at the centre of her family’s heartbreak right now and Rosie continues to portray Gabby’s agonising predicament as daughter and care giver in such a relatable and beautiful way. It’s been lovely to see Gabby look after her father, but the scene on Monday when she broke down crying to reveal to Laurel that Ashley had wet himself and she had pretended everything was fine just to keep him in their lives, was such a tragic and fantastically portrayed moment, full of pathos. I can’t begin to imagine how Gabby’s reaction to the loss of Ashley will shatter our hearts.
Comedy can be hit and miss in soaps, but there were plenty of laughs to be had in Charity’s winning impression of Chrissie White at the bank. When Emmerdale does their favourite disguise plot (an outfit, a wig and a foolproof plan) it can border on the farcical and this bank job certainly did but Emma Atkins just about pulled it off thanks to an amazing posh voice and a killer outfit. Throwing in a liberal amount of ‘super’ and ‘lovely’ you’d be forgiven for thinking you were watching Ab Fab but the nervy bank manager and his Home Farm enthusiasm was a good giggle too. The tranquiliser scenes in the street, with the shaky camera work and unicorn visions might have been a bit much, but it’s Charity so we’ll overlook it.
Bonus Fave: The return of the brilliant Lydia!!!
When Paddy’s affair with Tess saw his popularity and likeability nosedive, it was great to see him back in the village as a fun and comedic character again. He played the fool, revisiting his hilarious relationship with Marlon and after some enjoyably silly attempts to get Rhona back, realised she’d moved on and so should he. This week he grew to be irritating again after being pushed out by Chas in favour of the very lovely DS Wise (who can blame her?). Rather than show concern for Aaron, or be supportive of Chas, he spent most of his time bitching and moaning about Jason Wise, seeming petty and jealous about the whole thing. Paddy’s best when he’s childish in a fun, cartoonish way, not childish in a bitter and immature way and it wasn’t enjoyable to revisit. He says he’s going to let Chas get on with things in her own way so let’s hope he sticks to it!
In Need of a New Path
Debbie came back this week, on the run from a French gangster named Hugo and his henchmen. As you do. I’ll hold my hands up now and say I’m not Debbie’s biggest fan, mainly due to the life-sucking love triangle from 2015 where chemistry evaded both Debbie&Pete and Debbie&Ross (sorry, but it’s true), but with her hotly anticipated return on screen I was ready to give her a chance. Debbie as a mother and Debbie as a daughter, Debbie trying to hold everything together and be strong – that is the kind of Debbie I can get behind. Plastic gangsters, a railway track and a moodily lit warehouse – ticking every cliché in the straight-to-DVD mob movie book? Not a plot I ever enjoy in soap. There’s no real tension or drama in it. We don’t know these cardboard villains, but we do know Emmerdale won’t kill off the Sugden kids, so there’s zero jeopardy. In amongst this lack of threat we have Cain displaced from his spot of Top Dog (always disappointing) and Ross’s resurgence as a love-struck yet ultimately cowardly thug. Ross was a great character and his romance with Donna was beloved, but it’s hard to get past Emmerdale’s fixation on the Ross and Debbie romance when it was such a weak (yet dominant) part of 2015. Ross’s watery eyed declarations to “Debs” really take away from Debbie’s potential as an independent force when we know she’s still hung up on him. If I believed in their love, then it would be easier to buy that she might be tempted by the guy whose bedded her mother multiple times but as it stands, their good looks don’t make up for their lack of chemistry so I’m praying we see Debbie’s return take a new path, rather than watch Ross win her back.