Every week I run through the best and worst bits of the week on Emmerdale. Tell me your faves and fails in the comments! It was War of the Rs this week as Robron took on Ross and Harriet got stabbed.
Back in Action
Cain was back properly this week and it feels like we haven’t seen him in ages. I really appreciated how many different stories converged, as the Barton money woes and war with Robert led to Harriet being stabbed, her fling with Cain being exposed and him seeking revenge. Cain’s revenge missions – usually involving car boots – are often enjoyable viewing but it’s a long time since we’ve seen him take the violent approach and he wasn’t holding back with Ross. It came as a bit of a shock and with Moira involved (Coira tension ahoy) we were guaranteed good scenes as awkwardness bristled at the hospital. Cain might have mellowed as he’s aged, but it’s entertaining to see his reckless side now and again.
It was testosterone o’clock this week as Ross and Robron started a war. Having blackmailed Robert not long ago, Ross had the upper hand until Robert and Aaron decided to crush his last remaining taxi and only source of income. After some brilliant tag-team one liners, Ross sought payback and stole Robert’s pride and joy – his Porsche. The rivalry rumbled on as Robron discovered Ross and Finn’s weed stash and held it hostage in a woodchipper until Ross returned the car. Unlucky for Ross, Robert wasn’t in a forgiving mood and all the Barton’s cash hopes were sprayed to dust as Finn was captured by the dealers. Oops. With some great sparky dialogue and schoolboy rivalries this was a fun plot to start the week and cause bigger drama later on, plus it was a very welcome break from the tedium of the dreaded baby plot.
A Welcome Presence
There was a great community feel this week as Doug’s attempts to be less boring led him to the brilliant village hall dance lessons with Lydia and co. But I want to talk about another comedic star of the village – the consistently funny Bernice. Since her return Bernice has found herself working a number of jobs in the village (Kerry’s driven away customers at the salon unsurprisingly) and it’s been fantastic to see her get stuck into gossip in the café, butting her nose in where she really shouldn’t. From getting Cain’s sandwich order wrong to her tea tray throwing, she’s been amazing in this role. But even later in the week, when she went back to the salon and massaged Pete, she was hilariously pervy (she never could resist a young buff male) and ended up giving him severe burns with chilli oil. I don’t think I’ll ever tire of her antics, whether it’s her ill judged comments or the physical comedy, she just brings such warmth and fun to the whole show.
Finding Her Place
Chrissie White has been in Emmerdale for almost three years now but it seems like finally finally the writers have figured out how best to characterise her. Fingers crossed it seems like the days of being a daddy’s girl victim or – on the other end of the spectrum – the uber camp soap bitch are behind her. She feels settled. Ruthless, cutting, snobby, lording it over the other villagers, holding court at Home Farm – she seems powerful and bitchy without the cartoon one-liners. She’s always had this potential and I even enjoyed some of her really cold-hearted moments in the past, but it used to seem like they weren’t really sure what to do with her. Now the balance is just right. Here’s hoping that she stays like this!
The Exposition Family
It’s common knowledge that Lawrence is on his way out of Emmerdale but this week we were given seemingly never-ending scenes of exposition as Lawrence sat the family down to explain about Chrissie’s biological father. As we all listened to story time with Lawrence again it struck me how much this family has relied on exposition heavy backstory to make them more interesting. What with Lawrence’s prison story, his romance with Ronnie, Rebecca’s past with Robert, Chrissie’s true paternity and now the story of her father – they’re all tragic backstories intended to give the family depth but in reality they’re just lengthy, heavy and unengaging scenes of exposition. It’s hard to care when it’s all happened in the past and we didn’t get to see it. These kinds of stories are much more involving when a newcomer forces them to confront the past (like when Ronnie rocked up) but with shady Lawrence seemingly lying about Chrissie’s biological family, things might get more interesting!